adult-sasuke:

that post was right i wouldn’t have a sense of humor without spongebob. its still some of the goddamn funniest shit i’ve ever seen. spongebob almost dying because he’s too polite to ask for a glass of water at sandy’s house. mr. krabs and spongebob killing the health inspector. smittywerbenjagermenjensen. “I was born with glass bones and paper skin. every morning I break my legs. and every afternoon I break my arms.” the perfume department on the flying dutchman’s boat. that time spongebob cleared his mind to be a fine dining waiter and forgot his own name because that’s how customer service just BE. the ugly barnacle that was so ugly everyone DIED. the END. the one where squidward buys a pie but it’s actually a bomb. and the MUSICAL numbers like??? the fun song. the christmas song. tony award winning song “this grill is not a grill”. the entire band geeks episode like…this is all from the top of my head!!!!! just from the top of my head!!! there’s so much more!!! thank god for stephen and all the laughs i’ve had because of him.

anotherdayforchaosfay:

storytruths:

communicants:

kitduckworth:

men reviewing a male filmmaker’s movie: if you can’t understand the poeticism of this movie’s slow pacing, then maybe you are not ready to understand cinema!

men reviewing a female filmmaker’s movie: not a lot happened. 0/10 wack

Men reviewing men: “A deeply moving, personal journey.”

Men reviewing women: “Too personal.”

Listen up y’all. I’m a young, lesbian woman midway through a masters of fine art in Screenwriting as I prepare for a career in film and television. And this is the fucking truth.

About a month ago I met with a (young straight white male) professor about a script I was working on. The protagonist is an LGBT female struggling with a depression severe enough to have ended her last relationship. She is medicated for her depression and the medication itself plays a role in the script. This isn’t the plot of the film, just an aspect of the protagonist’s character.

The entire duration of the meeting with this professor was marked by his extreme disinterest in my script. Which, fine- you can’t please everyone, and honestly there were some major problems with the script that I’ll have to tackle during the rewrite. But the real highlight of the meeting was when, after being asked what he felt the biggest issue with my protagonist was, my professor responded: “Well nobody’s that sad. It’s just unrealistic.”

Three other scripts in my class feature protagonists struggling severely with depression. Two of those three are written by men. When I checked in with them afterwards, I was told by the other female writer that she’d received a similar comment from our professor. Both male writers, however, had been praised for their “sensitive and thoroughly human characters.”

Of the faculty in my program, only two professors (of close to 20) are female. The majority of the program is taught, run and managed by white, straight, cis males.

My point is this;; it’s not just Hollywood. As far down the career step totem pole in Screenwriting as formal education, men genuinely don’t believe that women are allowed to be emotive, expressive beings. If you say too little, you’re a bitch- if you say too much, you’re melodramatic and pathetic to boot.

Men don’t want women, men want female bodies on camera, and that is the single biggest crock of horse shit in this entire garbage industry.


Men don’t want women, men want female bodies on camera, and that is the
single biggest crock of horse shit in this entire garbage industry.

kari-izumi:

epicmurdock:

I really hate it when parents of autistic kids use phrases like “I know they’re in there.” Bitch they’re right in front of you! You haven’t lost them! They’re not locked away like a final boss in a video game!! This is your child As Is! Love them for who they are not what you wish they would be! Fuck!

OP you are right and you should say it 👍